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Thursday, November 13, 2025 4:11 PM

Cable TV

Cable TV Operators Seek GST Cut to 5% Amid Rising Costs

The All India Digital Cable Federation (AIDCF) has urged Finance Minister Nirmala Sitharaman to lower the goods and services tax (GST) on cable television services from 18% to 5%, citing mounting financial stress and rising consumer bills. In its appeal, the federation argued that such a move would not only align with Prime Minister Narendra Modi’s vision for GST reforms but also ensure affordable access to television services for millions of households across India. According to AIDCF, cable TV currently reaches more than 64 million homes and sustains around 1–1.2 million jobs. However, the sector is struggling with steep hikes in broadcaster tariffs, shifting consumer preferences, and growing competition from unregulated OTT platforms. “Satellite channel prices have spiked by nearly 600% in recent years, causing a 35–40% surge in monthly consumer bills. A GST cut would help ease this burden and maintain affordability,” said Manoj P. Chhangani, Secretary General of AIDCF. The federation highlighted that the industry, made up of 852 multi-system operators and about 1.6 lakh local cable operators—most of them small entrepreneurs in towns and villages—is under severe liquidity pressure. A lower GST rate, it said, would help sustain operations, curb subscriber churn, and enable investment in broadband services, complementing the government’s Digital India initiative. Representing over 60% of India’s cable TV market, AIDCF has requested that the demand be considered at the 56th GST Council meeting scheduled for September 3–4 in New Delhi. The council is also reviewing a proposal to simplify the GST structure by merging the current four-tier system (5%, 12%, 18%, 28%) into two slabs—5% and 18%. Source: Economic Times  

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DD Free Dish Strengthens Lead in TV Distribution, Amid Dispute Over Reach

Prasar Bharati’s free direct-to-home (DTH) platform, DD Free Dish, has reinforced its position as India’s largest television distribution service. However, debates continue over the true extent of its reach. Official estimates put its user base at 49 million households in 2024, up from 33 million in 2018. Independent agencies, such as Chrome DM, believe the actual footprint is far bigger, suggesting it has already crossed 60 million homes, surpassing the combined customer base of all private pay DTH operators (around 57 million). The confusion stems from DD Free Dish’s unencrypted signal, which makes tracking households impossible. A plan to introduce encrypted MPEG-4 boxes for measurement never materialized, leaving most viewers with inexpensive MPEG-2 set-top boxes that cannot be monitored. Launched in 2004, DD Free Dish is unique as India’s only subscription-free DTH service. Viewers spend just a one-time amount of up to ₹2,000 for a dish and set-top box, making it the most affordable TV access option in the country. According to a FICCI-EY report, the platform is expected to expand from 49 million homes in 2024 to 57 million homes by 2030, although exact measurement remains elusive. Industry experts say its rapid rise has primarily been at the cost of pay-TV operators, with broadcasters fueling growth by placing free-to-air (FTA) versions of popular Hindi entertainment channels like Star Utsav, Colors Rishtey, Zee Anmol, and Sony Pal on the service. For millions who never had access to premium pay-TV channels, these reruns feel like fresh content. Broadcasters find DD Free Dish lucrative since reruns involve low additional costs, yet give access to the ₹2,000 crore free TV ad market. With carriage fees of ₹15–20 crore per channel, networks have often used the platform strategically, exiting under pay-TV pressure and rejoining later. For instance, Hindi GECs reappeared on the platform in April after a three-year hiatus. Independent channels like Dangal TV thrived in their absence, building businesses worth hundreds of crores. Executives like Kevin Vaz (CEO, Entertainment, JioStar) and Gaurav Banerjee (CEO, Sony Pictures Networks India) argue that free TV plays a vital role in attracting rural and small-town audiences, serving as a bridge to upgrade viewers to pay-TV as incomes grow. Meanwhile, pay DTH players are innovating. Dish TV India has introduced the Zing Super Device, bundling free entertainment channels with pay-TV options for affordability. Yet, competition is growing. With affordable data, YouTube has become the biggest rival, expected to surpass 800 million users in India by 2029. DD Free Dish continues to dominate in the Hindi heartland—Uttar Pradesh, Bihar, Jharkhand, Madhya Pradesh, Rajasthan, and Uttarakhand—but is now expanding into southern states with reserved slots for regional channels. For Prasar Bharati, it has become a major revenue generator, earning nearly ₹800 crore annually through slot auctions, while avoiding expenses like license fees and transponder rentals (as these are provided free by ISRO). Industry bodies argue that being outside TRAI’s pricing framework gives DD Free Dish an unfair advantage. TRAI has recommended encryption and regulatory oversight to ensure parity with private operators. For now, the platform remains India’s most powerful frequency in the TV landscape, balancing its public service role with growing commercial importance. Its future will hinge on whether households see it as a permanent solution or a stepping stone before transitioning to pay-TV or digital streaming. Source: Economic Times  

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Fox Unveils ‘Fox One’ Streaming Service, Set to Launch Before NFL Season

Fox Corporation has officially announced the launch of its direct-to-consumer streaming platform, Fox One, which is expected to go live ahead of this year’s National Football League season. The announcement came from CEO Lachlan Murdoch during the company’s quarterly earnings call on Monday. While the company has not yet disclosed an exact price point, Murdoch indicated that Fox One will adopt a wholesale pricing model—mirroring what pay-TV providers currently pay for Fox channels. Importantly, existing cable TV subscribers will receive access to the service at no extra cost. Murdoch emphasized that Fox One is not intended to undercut the traditional cable ecosystem. “It would be a failure if we attracted more connected subscribers at the expense of our cable base,” he said, underlining Fox’s commitment to retaining its linear TV audience while expanding into digital. Fox also plans to pursue strategic collaborations with distributors and third-party platforms to broaden access to Fox One. The media giant, known for Fox News and an expansive sports lineup, has until now lagged behind competitors in the direct-to-consumer space. Although it currently operates niche services like the Fox Nation subscription app and the free, ad-supported platform Tubi, Fox One marks its first attempt to unify all its content under one streaming banner. This move follows Fox’s recent decision to exit the proposed joint sports streaming venture, Venu, which was being developed alongside Warner Bros. Discovery and Disney. Unlike its partners—both of which already offer sports via streaming platforms like Max and ESPN+—Fox had yet to launch a comprehensive subscription-based streamer.   Meanwhile, ESPN is gearing up to introduce a new flagship app, which will mirror its cable channel’s offerings and is expected to be officially named ESPN, according to recent reports.   Source: CNBC Image credit: Getty Images 

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The Evolution of Streaming Services: From Cable TV to Digital Domination

Blog on MEA

The advent of the internet has transformed nearly every aspect of our lives, and the entertainment industry is no exception. Gone are the days when families gathered around the television to watch their favourite shows at a prescribed time. The rise of streaming services has ushered in a new era of entertainment consumption in India. In this blog, we will explore the evolution of streaming services in the Indian context, from the early days of cable TV to the current era of digital domination. The Cable TV Era For decades, cable television was the primary source of entertainment for Indian households. It brought a variety of channels into our homes, offering a mix of regional and international content. Cable TV allowed viewers to watch news, sports, movies, and TV shows, but it had its limitations. Viewers had to adhere to fixed schedules, missing out on shows if they weren’t home at the right time. Moreover, the content was limited, and viewers had little control over what they could watch. The Birth of DTH Services The introduction of Direct-to-Home (DTH) services in the early 2000s marked a significant shift. DTH providers offered a wider range of channels and improved picture quality. Viewers could now choose from various subscription packages, customizing their entertainment experience to some extent. However, the fundamental constraints of scheduled programming and limited content still prevailed. Also Read: Top 12 Reasons to Attend the ArdorComm ELSA Summit in Bengaluru on 22nd Sept 2023 The Streaming Revolution The real revolution began when streaming services entered the Indian market. Netflix, Amazon Prime Video, and Hotstar (now Disney+ Hotstar) were among the pioneers. These platforms allowed users to stream content over the internet, breaking free from the shackles of cable TV schedules. Netflix: Netflix made its debut in India in 2016, introducing a vast library of international and original content. Its ad-free, on-demand streaming model was a breath of fresh air for viewers tired of commercials interrupting their favourite shows. Amazon Prime Video: Amazon Prime Video followed suit, offering a mix of original series, movies, and a diverse catalogue. It also bundled its streaming service with its Prime membership, attracting a considerable audience. Hotstar (Disney+ Hotstar): Hotstar gained popularity for its sports content, including cricket matches and the Indian Premier League (IPL). The platform also featured a wide array of Bollywood and regional content. The Evolution of Regional Content One of the most significant advantages of streaming services was their focus on regional content. India is a diverse nation with multiple languages and cultures, and streaming platforms recognized the importance of catering to these differences. They began producing and showcasing regional content, including web series, movies, and documentaries, attracting a more extensive and diverse audience. Also Read: Eco-friendly Living for Better Health: How Sustainable Choices Improve Well-Being Original Content Boom Streaming platforms not only brought international content to Indian audiences but also invested heavily in producing original Indian content. Shows like “Sacred Games,” “Mirzapur,” and “Paatal Lok” became cultural phenomena. The quality of storytelling, production values, and the freedom to explore diverse themes set a new benchmark for Indian entertainment. Accessibility and Convenience One of the key reasons behind the digital domination of streaming services is their accessibility and convenience. Viewers can watch content on their smartphones, tablets, laptops, or smart TVs, anytime and anywhere. Mobile data becoming more affordable and widespread further facilitated this shift. The Rise of Competition As streaming services gained momentum, more players entered the Indian market. Disney+ Hotstar, Voot, ZEE5, SonyLIV, Jio Cinema and others offered a plethora of options. This competition not only led to a wider choice of content but also competitive pricing, benefitting consumers. Also Read: ArdorComm ‘New Normal – Education Leadership Summit & Awards 2023’ to be held at Bengaluru, Karnataka on 22nd September 2023 #ELSABengaluru #ELSAKarnataka Challenges and Future Prospects While streaming services have come a long way, they are not without challenges. The digital divide still exists in India, with rural areas lacking reliable internet access. Additionally, the rise of OTT (Over-The-Top) platforms has led to discussions about content regulation, which is an ongoing debate. In the future, we can expect further growth and innovation in the streaming industry. The integration of augmented reality (AR) and virtual reality (VR) into content consumption, interactive storytelling, and personalized recommendations will likely play a significant role. Regional content will continue to flourish, and more players may enter the market. Conclusion The evolution of streaming services in India represents a remarkable journey from the constraints of cable TV to the boundless freedom of digital streaming. The combination of accessibility, convenience, and a diverse content library has propelled streaming platforms to the zenith of entertainment in the Indian context. As technology continues to advance, we can only envision a future brimming with exciting possibilities for this ever-expanding industry. The story of streaming services is one of relentless innovation, expanding horizons, and a renaissance of storytelling, and it continues to captivate audiences across India. The author, Pratik Ghosh is associated with ArdorComm Media

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