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Saturday, November 15, 2025 12:59 PM

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JioHotstar Surpasses 1 Billion Downloads, Redefines India’s Streaming Landscape

JioHotstar, the entertainment platform under JioStar, has officially crossed 1 billion downloads on Google Play, marking its entry into an exclusive group of global apps to reach this milestone. With over 300 million paid subscribers and more than 500 million monthly active users, it now stands as India’s largest streaming service by scale and reach. Formed through the merger of JioCinema and Disney+ Hotstar, the platform attributes its rapid ascent to a blend of localized storytelling, seamless technology, and strategic market integration. “By merging deep local relevance with innovation, JioHotstar is setting new benchmarks for how digital entertainment connects, inspires, and creates value,” the company said in a statement. The achievement follows a wave of technological breakthroughs unveiled by Akash Ambani, Chairman of Reliance Jio Infocomm and Director on the JioStar board, during the Reliance Industries AGM on August 29. Ambani introduced four cutting-edge features designed to elevate how users search, personalize, and enjoy content. Among them is RIYA, a voice-enabled AI assistant that helps users instantly locate moments, highlights, or specific clips without scrolling. “RIYA understands natural speech — from your favorite show’s key scenes to highlight reels and in-depth analyses,” Ambani explained. Another innovation, Voice Print, uses AI-powered voice cloning and lip-syncing to let viewers watch dubbed content while retaining the original actor’s voice. “Now, your favorite stars won’t just be dubbed — they’ll actually speak your language, in their own voice, synced perfectly to screen,” Ambani said. Also introduced was JioLenZ, allowing users to tailor their viewing experience in real-time, and MaxView 3.0, an upgraded, mobile-first cricket interface offering multi-camera angles, instant highlights, and live scorecards — all optimized for vertical viewing. Ambani emphasized that these developments reflect JioStar’s vision of merging content, software, and AI to deliver a uniquely immersive entertainment experience. Currently, JioHotstar hosts over 3.2 lakh hours of content — six times more than its closest competitors — and added 30,000 new hours in the past year. Within just three months of its launch, the platform attracted over 600 million users, including 75 million connected TV households. “With these innovations, we are steadily moving toward our goal of serving a billion screens — across mobile, TV, and connected devices,” Ambani affirmed. Source: Economic Times

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Jio Studios Crosses ₹1,000 Crore Box Office Milestone in FY25

Jio Studios, the content and media arm of Reliance Industries, achieved a major milestone in FY25 by surpassing the ₹1,000 crore mark in Net Box Office Collection (NBOC) across India, according to Reliance Industries’ latest annual report. This marks a sharp rise from the previous fiscal year, when Jio Studios’ film slate earned around ₹700 crore at the box office. Calling FY25 a “landmark year,” the studio cemented its leadership in Indian entertainment with a powerful line-up of over 40 films and web originals across multiple languages and digital platforms. Dominating the Hindi box office, three Jio Studios blockbusters — Stree 2, Singham Again, and Sky Force — ranked among the year’s top five hits and together contributed over 40% of the industry’s total domestic NBOC. Notably, Stree 2 emerged as the highest-grossing Hindi film of all time. Beyond theatres, Jio Studios also saw massive success on OTT platforms like Netflix, Amazon Prime Video, ZEE5, and JioHotstar. Laapataa Ladies featured among the top three most-watched Hindi films globally on Netflix, while Mrs set a new record on ZEE5 with more than 500 million viewing minutes in its first three weeks, also becoming Google’s most-searched film of the year. The Stree 2 soundtrack, led by the viral hit “Aaj Ki Raat,” crossed 2 billion streams and views on YouTube and Spotify, underscoring its pop culture dominance. In terms of critical acclaim, Jio Studios secured 65+ major awards, including 15 IIFA wins and recognition from the Dadasaheb Phalke Film Foundation. Four of its titles were also listed among IMDb’s Most Popular Indian Movies of 2024. Expanding its footprint in regional cinema, the studio has made notable inroads into Marathi films, with upcoming high-profile projects like Raja Shivaji and a biopic on Olympic wrestler Khashaba Jadhav. With an impressive track record and a strong pipeline ahead, Jio Studios continues to solidify its position as a trailblazer and global force in Indian entertainment. Source: PTI

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Zee cements dominance in Hindi movie broadcasting with 28.7% market share in Q2FY26

Zee Entertainment Enterprises Ltd. (ZEEL) has achieved a three-year high in the Hindi movie broadcasting space, capturing a 28.7% market share in Q2FY26. The surge was powered by Zee Cinema, which reclaimed its position as the No. 1 Hindi movie channel in the 15+ HSM Urban category. The success was driven by blockbuster premieres such as Jaat, Game Changer, and Pushpa: The Rule Part 2—the latter emerging as the highest-rated movie premiere of FY26 to date. Zee’s Free-to-Air channels, Anmol Cinema and Zee Action, also led the charts in Q2FY26, each reaching over 116 million viewers across all genres in the 15+ HSM Urban market. Beyond Hindi, Zee sustained its leadership in regional movie clusters. In Maharashtra, Zee Talkies, Zee Yuva, and Zee Chitramandir together commanded nearly 50% market share, supported by the hit premiere of Phullwanti. In southern and eastern markets, Zee Thirai (Tamil), Zee Cinemalu (Telugu), and Zee Biskope (Bhojpuri) ranked among the top three regional movie channels. A company spokesperson attributed the strong performance to Zee’s robust content strategy, which blends fresh premieres, evergreen classics, and data-driven programming. With 22 movie channels across six languages, Zee’s movie network reached over 550 million viewers in September 2025 alone. The movie genre continues to attract major advertisers, given its massive scale and consistent ratings. Zee’s extensive movie library features timeless hits like Hum Aapke Hain Koun, Karan Arjun, and Bobby — with Hum Aapke Hain Koun alone garnering over 250 million viewers in the past five years. Source: Economic Times

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Netflix Partners with Yash Raj Films to Stream Iconic Bollywood Classics Worldwide

Netflix has announced a landmark collaboration with Yash Raj Films (YRF) to bring some of the studio’s most beloved movies to global audiences, celebrating the legacy of Indian cinema. The partnership will see a phased rollout of YRF’s celebrated titles, coinciding with key festivals, film milestones, and star birthdays — allowing viewers in over 190 countries to rediscover the magic of Bollywood. To mark Shah Rukh Khan’s 60th birthday, nine of his iconic films — including Dilwale Dulhania Le Jayenge, Mohabbatein, Dil To Pagal Hai, Veer-Zaara, and Chak De! India — begin streaming this weekend. Following this, Salman Khan’s hit films Ek Tha Tiger, Sultan, and Tiger Zinda Hai will debut on December 27, celebrating his birthday. Audiences can also revisit evergreen YRF classics such as Chandni, Kabhi Kabhie, Vijay, Lamhe, and Silsila starting November 14. On December 5, Netflix will add a special Ranveer Singh collection featuring Band Baaja Baaraat, Ladies vs Ricky Bahl, Kill Dil, Befikre, and Gunday. Adding to the festive cheer, 34 more YRF titles — including Bunty Aur Babli, Hum Tum, Thoda Pyaar Thoda Magic, Mujhse Dosti Karoge, and Ta Ra Rum Pum — will stream between December 12 and 28, with two new releases dropping daily. The celebration extends into 2026, beginning with the Dhoom trilogy on November 28 and the Mardaani series from January 22. A special Valentine’s Week collection featuring romantic hits like Saathiya, Ishaqzaade, Bachna Ae Haseeno, and Salaam Namaste will premiere on February 7. Akshaye Widhani, CEO of Yash Raj Films, said the collaboration will allow audiences worldwide to “experience the colour, the music, and the magic of India and Indian cinema that YRF has always celebrated.” Monika Shergill, Vice President of Content at Netflix India, called it “a milestone for Indian cinema on Netflix,” emphasizing that the partnership deepens Netflix’s commitment to showcasing the diversity and emotion of Indian storytelling. Source: PTI

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Swastik Stories Unveils India’s First Cultural Storytelling FAST Channel

Swastik Stories has announced the launch of India’s first cultural storytelling FAST (Free Ad-Supported Streaming TV) channel, now available on JioTV, LG, Xiaomi TV, and RunnTV. The platform will stream ad-supported, free-to-watch content, aiming for an initial reach of over 50 million viewers across digital and connected TV networks. Famous for television hits like Mahabharat, RadhaKrishn, and Porus, Swastik Stories is expanding its legacy into the digital space with a focus on Indian history, culture, and mythology. The FAST model allows audiences to enjoy curated programming on smart TVs and devices without any subscription. The company expects to reach 90% of connected TV households by March 2026. The first original title on the channel, Hamara Vinayak, will premiere on October 31, with new 10–12-minute episodes releasing every Friday on both YouTube and the FAST channel. The short-format series is tailored for digital audiences who prefer concise storytelling. Founder and Chief Storyteller Siddharth Kumar Tewary said, “Swastik Stories is reimagining Indian culture for the digital age — bringing the wisdom of our past to every screen and every home. This launch marks not just a channel, but a movement in cultural storytelling.” The show’s presenting sponsor, 1Finance, has partnered with the series for its premiere. Drashti Thaker, AVP–Marketing at 1Finance, said the collaboration aligns with their philosophy of providing guidance and clarity, much like the show’s protagonist helps others navigate life’s challenges. Swastik Stories also announced upcoming originals such as Ride to Roots, Vikram Vetal, and Krishna Within, signaling a broader push to create a digital-first destination for Indian cultural entertainment. Source: Economic Times

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Abundantia Entertainment Launches AI Division to Revolutionize Storytelling

Vikram Malhotra-led Abundantia Entertainment has unveiled a new artificial intelligence-focused division named ‘Abundantia aiON’, aimed at fusing technology with human creativity to redefine storytelling. The initiative will integrate AI across stages like ideation, visual design, and production to craft innovative films, series, and characters. Built on the philosophy of “Human First. AI Empowered.”, aiON seeks to position AI as a creative catalyst rather than a replacement for human imagination. The division will collaborate with global tech leaders to develop creative infrastructure and train writers, artists, and filmmakers to use emerging technologies in storytelling. The move follows Abundantia’s partnership with Collective Artists Network for Chiranjeevi Hanuman – The Eternal, touted as a “Made-in-AI” feature film set for release in 2026. Commenting on the launch, Vikram Malhotra, Founder & CEO of Abundantia Entertainment, said, “At Abundantia, we believe technology should amplify imagination, not replace it. AI isn’t here to take over creativity—it’s here to magnify it. We see AI as a collaborator, a force multiplier for human imagination.” The company plans to announce its first slate of AI-driven projects soon. Meanwhile, Abundantia continues to expand its lineup with upcoming releases including Subedaar (starring Anil Kapoor), Daldal (featuring Bhumi Pednekar), an untitled comedy with Madhuri Dixit, Triptii Dimri, Dharna Durga, and Ravi Kishan, and a business drama series directed by Hansal Mehta. Source: Economic Times

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$100 Million Hopes Fade: FIFA and IOC Struggle to Attract Indian Broadcasters Amid Market Slowdown

India’s once-booming sports broadcasting market is undergoing a sharp correction, weighed down by broadcaster consolidation, the ban on real-money gaming (RMG), and challenging time zones for upcoming global events. As a result, global sports bodies like FIFA and the International Olympic Committee (IOC) are finding it increasingly difficult to secure higher media rights deals from Indian broadcasters, industry insiders revealed. Both FIFA and the IOC are reportedly eyeing over $100 million each from the Indian market — nearly four times what local networks are prepared to offer. In comparison, India contributed around $61 million for the Qatar 2022 World Cup and $31 million for the Paris 2024 Olympics during the last rights cycle. FIFA floated its invitation to tender (ITT) in July for the 2026 and 2030 World Cups, while the IOC launched a similar tender for the 2026 Milano Cortina Winter Games and the 2028 Los Angeles Olympics. However, progress has been sluggish as Indian broadcasters balk at the steep asking prices. The market’s competitive edge has dulled significantly, with only two major contenders — JioStar and Sony — now dominating negotiations. JioStar, heavily invested in cricket, is reluctant to stretch further, while Sony remains conservative amid weak advertising prospects for non-cricket sports. The government’s ban on RMG platforms has also dealt a severe blow, wiping out an estimated ₹6,000–₹7,000 crore from the sports advertising ecosystem — a crucial source of funds for premium sports rights. Compounding the issue, both the 2026 FIFA World Cup in North America and the 2028 Olympics in Los Angeles will air during late-night hours in India, reducing live viewership potential and ad revenue. Industry veterans argue that global bodies are misreading the Indian market. The IOC, sources say, expects ICC-level valuations due to cricket’s inclusion in the LA28 Olympics, while FIFA is benchmarking against its record-breaking global contracts. “The era of irrational bidding is over,” said a senior media executive. “With broadcaster consolidation, the RMG ban, and inconvenient time zones, even top-tier events don’t offer viable returns. The mismatch between global expectations and Indian realities has never been greater.” Another executive added that while India’s growing Olympic ambitions — including its potential bid for the 2036 Games — could boost interest, time zone differences and the mandatory feed-sharing rule with Doordarshan under the Sports Broadcasting Signals Act continue to erode the commercial appeal of exclusive rights. Sources noted that JioStar had initially approached FIFA for a two-cycle rights deal, but the global football body opted for an open bidding process, anticipating higher offers. That strategy has backfired — JioStar has since pulled back, and Sony remains cautious. Viacom18, which merged with Star India to form JioStar, was the previous rights holder for both FIFA and IOC events. Despite structural challenges, both properties performed decently in their last outings. The Paris 2024 Olympics attracted over 170 million Indian viewers across JioCinema and Sports18, generating roughly ₹110 crore in ad revenues. Since then, JioCinema has merged with Disney+ Hotstar to form JioHotstar, while Sports18 has been absorbed under Star Sports. Source: Economic Times

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Foreign Investment in India’s I&B Sector Slows Sharply in June Quarter Despite Strong Overall FDI Momentum

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Foreign direct investment (FDI) inflows into India’s Information and Broadcasting (I&B) sector recorded a significant slowdown during the April–June 2025 quarter, even as the country’s broader FDI landscape remained steady. According to the latest data from the Department for Promotion of Industry and Internal Trade (DPIIT), cumulative FDI in the I&B sector stood at ₹76,143.29 crore by the end of June 2025 — up marginally from ₹75,590.84 crore in March 2025 and ₹74,369.17 crore in December 2024. This translates to just ₹552.45 crore in fresh FDI inflows during the first quarter of FY26, marking a steep 54.8% drop compared to ₹1,221.67 crore in the previous quarter. The figures, compiled from April 2000 onwards, indicate that investor sentiment in the I&B industry has cooled off after a relatively strong start to the year. While cyclical adjustments may partly explain the decline, analysts point out that the sector’s overall contribution to India’s total FDI remains small. High-growth areas such as Telecommunications, Automobiles, and Computer Software & Hardware continue to dominate, collectively accounting for over 25% of cumulative inflows. In contrast, the entire I&B segment—including print, broadcasting, and online media—makes up less than 1% of total FDI received since 2000. Despite the slowdown in the media sector, India’s overall FDI performance continues to demonstrate resilience. Cumulative inflows between April 2000 and June 2025 have surpassed ₹92 lakh crore. During the April–June 2025 quarter alone, total FDI (including equity, reinvested earnings, and other capital) amounted to ₹2,22,120 crore, with equity inflows contributing ₹1,59,428 crore. Experts suggest the current dip in I&B investments reflects a mix of regulatory uncertainties, industry consolidation, and fewer big-ticket deals. However, growing interest in digital media, OTT platforms, and sports broadcasting could spur renewed investor confidence later in the year—particularly as policymakers revisit FDI rules to align with the rapidly evolving digital ecosystem. With India’s media and entertainment sector undergoing rapid digital transformation, stakeholders are optimistic that upcoming reforms could help unlock new opportunities and make the I&B landscape more attractive to global investors. Source: Economic Times

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Netflix joins hands with IICT and FICCI to nurture India’s next-gen creative tech talent

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Streaming leader Netflix has entered into a strategic partnership with the Indian Institute of Creative Technology (IICT) and FICCI to build and strengthen the pipeline of creative-technology professionals in India. The memorandum of understanding (MoU) was signed during the 25th edition of FICCI Frames, marking a major step toward advancing India’s AVGC-XR (Animation, Visual Effects, Gaming, Comics, and Extended Reality) ecosystem. Under this collaboration, Netflix will utilize its Fund for Creative Equity to provide scholarships to selected students identified jointly with IICT. The fund aims to empower underrepresented talent in the media and entertainment industry by offering equitable learning and career opportunities. As part of the initiative, Netflix will actively participate in three of IICT’s national councils — R&D, Academic, and Industry Development — to foster synergy between academia, industry experts, and policymakers in shaping the future of India’s creative technology sector. Mahima Kaul, Director of Global Affairs, Netflix India, said the partnership is designed to strengthen the country’s AVGC sector and empower young creators. “Through this collaboration, we aim to equip aspiring storytellers and innovators with world-class tools and opportunities to fuel creativity and drive India’s digital entertainment economy,” she said. Dr. Vishwas Deoskar, CEO of IICT, emphasized that the alliance bridges the gap between academic learning and real-world industry experience. “By offering mentorship, practical exposure, and access to global best practices, we are preparing the next generation of creative technologists to thrive in the evolving AVGC-XR landscape,” he noted. Munjal Shroff, Chairman of the FICCI AVGC-XR Forum, added that the initiative will position India as a global hub for creative technologies. “This partnership not only builds future-ready talent but also fuels innovation and lays the foundation for sustainable growth in the sector,” he said. Source: PTI

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Festive Cheer Boosts Box Office: PVR INOX Records Over 50% Occupancy as Moviegoers Flock Back to Cinemas

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PVR INOX Ltd is celebrating a blockbuster Dussehra weekend, witnessing a remarkable surge in footfall as audiences return to theatres in large numbers. The multiplex giant reported over 50% occupancy across its cinemas, welcoming more than 8.5 lakh movie lovers during the extended Dussehra–Gandhi Jayanti weekend. “Our theatres are buzzing with festive energy as audiences across India return to enjoy the magic of cinema,” said Gautam Dutta, CEO (Revenue & Operations), PVR INOX Ltd. With the second quarter showing strong growth momentum, the company expressed optimism for the upcoming festive season, which promises a packed lineup of anticipated releases. Titles like Kantara: A Legend Chapter 1, Jolly LLB, and One Battle After Another headline the Bollywood and Hollywood slate, while regional films continue to impress audiences nationwide. Regional blockbusters such as Idli Kadai (Tamil/Telugu), Maria (Tamil), Vada Pav (Marathi), and Nikka Zaildar 4 (Punjabi) are driving impressive box-office numbers, reflecting the vibrant diversity of India’s cinematic landscape. Currently, PVR INOX operates 1,757 screens across 353 properties in 111 cities in India and Sri Lanka, reaffirming its position as the country’s leading multiplex chain. Source: PTI

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