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Netflix introduces AI Discover tab to offer personalised viewing recommendations based on users’ moods

/ Media Entertainment & Art Community

Netflix has introduced a new experimental feature, AI Discover, designed to help users find movies and shows based on their moods, preferences and viewing habits. Announced on Tuesday, the feature will initially allow subscribers to explore personalised recommendations through a dedicated tab on the streaming platform. The new AI Discover tab will offer curated themes featuring clips from movies and television shows. Users can select categories based on what they feel like watching, the time available to them or current entertainment trends. Options include themes such as ‘Something Light’, ‘Scare Me’, ‘Family Movie Night’ and ‘Quick Watches’. The move reflects Netflix’s efforts to simplify content discovery as its entertainment library continues to expand. Instead of browsing endlessly through titles, viewers will be able to use AI-powered suggestions to find content that better matches their immediate interests. According to Netflix, AI Discover operates through a new intelligence layer that responds to users’ inputs in real time and continuously learns from their preferences. Users can customise recommendations After selecting a theme, subscribers will receive a list of relevant viewing suggestions. They can further narrow their choices by exploring more specific categories or select the ‘Something Different’ option to restart the discovery process. The platform is also introducing a ‘Tune Your Recommendations’ button alongside the existing ‘Play’ and ‘My List’ options. This feature will allow users to save titles they enjoy or exclude content they do not want to see in future recommendations. Netflix said the new feature builds on its existing recommendation system, which already considers user activity, including titles they give a thumbs-up rating and programmes they add to their watchlists. The company described AI Discover as a testing ground for experimenting with new content discovery features. Feedback from users will help Netflix assess which features should be refined, retained or eventually integrated into its main platform experience. Initial rollout limited to US users AI Discover is initially being rolled out in the United States to users accessing Netflix in English through supported television devices. The company plans to extend access to more users over the coming weeks. Subscribers with access to the feature will find a new ‘Discover’ option marked with a red gem icon and a ‘New’ label in the top navigation bar on their television screens. Source: Techcrunch  

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Diljit Dosanjh Kicks Off Aura India Tour 2026 with Sold-Out Concert in Delhi

/ Media Entertainment & Art Community

Punjabi singer and actor Diljit Dosanjh launched his RuPay AURA India Tour 2026 with a packed concert at Delhi’s Jawaharlal Nehru Stadium on Friday, turning the venue into a massive celebration of Punjabi music. The opening show marked the beginning of a six-week musical tour across eight Indian cities, promoted by BookMyShow Live. The Delhi performance followed Dosanjh’s successful international concert run, which featured sold-out stadium shows in Australia and appearances at prestigious venues such as Madison Square Garden in New York and Wembley Stadium in London. He also created history as the first Punjabi artist to headline and sell out the iconic Wembley Stadium. Dosanjh began the Delhi concert with ‘Morni’, followed by several fan favourites, including ‘G.O.A.T.’, ‘Ikk Kudi’, ‘Lalkara’, ‘Lover’, ‘Case’, ‘Panjtaara’, ‘Hass Hass’, ‘Saanso Ki Mala’ and ‘Water’. The show featured elaborate stage production, immersive visuals and sound arrangements that brought the international concert experience to Indian audiences. Adding to the excitement, the singer invited fans on stage to dance and sing with him. He also acknowledged the Delhi Police for managing security and ensuring the smooth conduct of the event. A spectacular drone display concluded the evening with the message ‘Panjabi Aa Gaye Oye!’ lighting up the night sky. Commenting on the successful opening, Naman Pugalia, Chief Business Officer – Live Events at BookMyShow, said the sold-out Delhi concert reflected the strong connection Dosanjh shares with audiences worldwide. He added that the opening performance had established the scale and enthusiasm expected from the remaining cities on the six-week tour. Beyond the musical performances, the event offered additional audience experiences, including a complimentary turban-tying camp and specially curated food and beverage options across the stadium. Following the Delhi opening, the RuPay AURA India Tour 2026 will move to Indore on November 15, Ahmedabad on November 21, Mumbai on November 27, Bengaluru on November 29 and Lucknow on December 5. Concert dates and venue information for Chandigarh and Kolkata are expected to be announced later. Tickets for the upcoming performances are available exclusively through BookMyShow. Source: Economic Times  

Diljit Dosanjh Kicks Off Aura India Tour 2026 with Sold-Out Concert in Delhi Read More »

Centre Flags Programme Code Violations by TV Channels, Advises Caution in AI Use

/ Media Entertainment & Art Community

The Ministry of Information and Broadcasting has raised concerns over violations of the Programme Code by private satellite television channels and directed broadcasters to comply strictly with the prescribed regulations, warning that non-compliance could lead to action. In an advisory issued on Wednesday, the ministry also urged television channels to exercise caution while using artificial intelligence (AI), including generative AI, for graphics, virtual news presentations and other programmes. It said AI tools should be used only in an assistive capacity without compromising the accuracy, authenticity or sensitivity of news content. The ministry noted that several channels had breached provisions of the Programme Code under the Cable Television Networks (Regulation) Act, 1995, and the Cable Television Networks Rules, 1994. An inter-departmental committee observed that certain broadcasts were inconsistent with the spirit of the code, including instances where multiple channels aired similar news and visuals on the same subjects. The committee called for strict compliance with statutory requirements and stressed that inappropriate behaviour and language should not be normalised during television broadcasts. The advisory also emphasised the need for careful selection and sensitisation of panellists for debates and discussions to prevent communal or anti-national content. Broadcasters were advised to use measures such as muting audio, displaying disclaimers or discontinuing feeds to prevent derogatory, abusive or inflammatory remarks from being aired. Reiterating existing restrictions, the ministry prohibited live coverage of anti-terror operations conducted by security forces. Channels must rely on periodic briefings from authorised officers until such operations are completed. Broadcasters were further asked to avoid sensational reporting of crime and violence, exercise discretion when showing disturbing visuals and refrain from repeatedly airing or looping such footage. Reports on disasters and major accidents should be based on verified information, with visuals time-stamped wherever necessary to prevent public panic. The ministry also directed channels to use only authentic maps of India published by the Survey of India. Additionally, broadcasters must ensure that the identities of victims of sexual offences remain protected, including by withholding indirect details that could reveal their identities. The advisory called on television channels to strengthen their editorial oversight and content review mechanisms to ensure responsible broadcasting and compliance with established standards. Source: PTI

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Spotify Rolls Out Paid Podcast Memberships With Exclusive Perks for Fans

/ Media Entertainment & Art Community

Spotify has introduced paid podcast memberships, giving creators a new way to generate revenue by offering exclusive benefits to their most dedicated listeners. Announced on Tuesday, the feature allows podcasters to provide a range of subscriber perks, including bonus audio and video content, early access to episodes, reduced advertising and other exclusive experiences. The company first unveiled plans for the feature during its Investor Day in May 2026, alongside artificial intelligence tools designed to help listeners ask questions about the content they consume and new features to simplify sponsorship management for creators. The membership programme is now rolling out across 34 markets worldwide, including the United States. The move reflects Spotify’s broader strategy to strengthen its podcast ecosystem and attract more creators, particularly as competition in video podcasting intensifies with platforms such as YouTube. Under the new programme, creators can retain 90% of their membership revenue and offer multiple subscription tiers with different prices and benefits. To qualify, podcasters must host their shows on Spotify for Creators or Megaphone, have accumulated at least 100 hours of consumption, reached 100 listeners or viewers, and published a minimum of three episodes. Listeners can discover membership options through individual podcast pages on Spotify, where they can subscribe and access exclusive material. However, purchases will be completed through the web rather than in-app transactions. Several podcasts and creator networks are participating at launch, including The Adam Friedland Show, Making Sense with Sam Harris, Shawn Ryan Show, The Sculpt Society and Two Hot Takes. YMH Studios is also introducing memberships across 12 shows within its network. The new offering expands Spotify’s existing creator monetisation options, which include advertising and the Spotify Partner Program. The platform also provides audience-development tools such as promotional features, free trials and analytics. Spotify plans to introduce additional membership benefits, including subscriber badges and personalised welcome clips, in the near future. With the launch, Spotify is looking to help podcasters build stronger relationships with their audiences while creating more sustainable revenue opportunities beyond traditional advertising and bonus episodes. Source: Techcrunch  

Spotify Rolls Out Paid Podcast Memberships With Exclusive Perks for Fans Read More »

Moj Crosses 500 Million Downloads, More Than Doubles Daily User Engagement

/ Media Entertainment & Art Community

Moj, the short-video platform owned by Mohalla Tech, has surpassed 500 million downloads on the Google Play Store, marking another milestone for the homegrown social media company. According to the company, Moj ranks fourth in India’s Social Media category on the platform and is the only Indian app among the top four. The platform generates more than one billion video plays daily and records nearly 300 minutes of usage per user each month. Launched in 2020, Moj has built a network of over three million creators and offers content in multiple Indian languages. The introduction of ad-supported micro-dramas last year has significantly boosted engagement, with daily time spent per user more than doubling to nearly 50 minutes. The platform has also become an important source of income for creators, who collectively earn close to ₹100 crore annually. Moj reported 100% year-on-year revenue growth over the past 12 months, attributing part of the expansion to rising advertiser interest in micro-dramas, commerce integrations and branded content. Ankush Sachdeva, CEO and co-founder of Mohalla Tech, said the 500-million-download milestone reflected the trust and engagement of users across India. He added that Moj would continue to focus on stories, creators and trends representing the country’s linguistic and cultural diversity while helping brands engage audiences through immersive storytelling. Source: Economic Times  

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‘Ramayana’ Part One Set for Worldwide Release on November 5; Advance Bookings to Begin on Dussehra

/ Media Entertainment & Art Community

The makers of Ramayana have announced that the first instalment of the ambitious two-part cinematic adaptation will arrive in theatres worldwide on November 5. The announcement was made on the first day of Navratri, alongside the unveiling of a new ensemble poster featuring Ranbir Kapoor, Sai Pallavi, Ravie Dubey and Yash. Advance bookings for the film are scheduled to open on Dussehra. The makers marked the announcement with the tagline, “Yeh Ram Ke Yug Ka Aarambh Hai,” signalling the beginning of the film’s cinematic journey. The newly released poster features Kapoor as Lord Rama, Pallavi as Sita and Dubey as Lakshman, while Yash appears as the formidable Ravana. Actor Sunny Deol will portray Hanuman. Directed by Nitesh Tiwari, the film brings one of India’s most revered epics to the big screen through a two-part adaptation. The narrative centres on Lord Rama’s journey, his exile, Sita’s abduction by Ravana and the ensuing conflict between good and evil. The project is produced by Namit Malhotra’s Prime Focus Studios in collaboration with DNEG and Yash’s Monster Mind Creations. The production aims to recreate the epic’s mythological world through elaborate sets, detailed costumes and large-scale visual effects. The film’s musical score brings together Oscar-winning composer Hans Zimmer and acclaimed Indian composer A. R. Rahman. Terry Notary and Guy Norris are also part of the action team. The first instalment will release in Hindi, Tamil, Telugu, Kannada and Malayalam, with screenings planned across premium theatrical formats, including IMAX. The second part is scheduled to arrive during Diwali 2027. Sony Pictures will oversee international distribution outside India, while Dharma Productions will handle distribution across the Hindi-speaking market. Source: PTI

‘Ramayana’ Part One Set for Worldwide Release on November 5; Advance Bookings to Begin on Dussehra Read More »

JioStar Sees Strong Growth in Regional-Language IPL Viewing as Fans Move Beyond Hindi and English

/ Media Entertainment & Art Community

Cricket viewership during the TATA IPL 2026 season is becoming increasingly regional, with audiences showing growing preference for live coverage in languages such as Kannada, Telugu and Tamil, according to JioStar. On JioHotstar, the Kannada-language feed recorded a 30 per cent year-on-year increase in reach, while Telugu and Tamil feeds grew 23 per cent and 12 per cent, respectively. Telugu also registered a 30 per cent rise in its share of digital watch time, marking the strongest growth among the three regional-language feeds. Reflecting this shift, JioStar has introduced ‘Beyond Boundaries’, an initiative designed to enable advertisers to associate with regional-language live cricket coverage as well as pre- and post-match programming. Overall, the share of digital watch time for regional-language feeds increased 33 per cent during IPL 2026. Connected TV reach rose 22 per cent, while digital video views touched 25 billion, an 8 per cent increase from the previous year. JioStar attributed the growing popularity of regional feeds to localised commentary, market-specific programming and content tailored to individual teams and fan communities. More than 160 commentators across 12 languages contributed to the regional coverage during the tournament. The Telugu feed featured former India players Hanuma Vihari and MSK Prasad, while the Kannada coverage included Vinay Kumar and Veda Krishnamurthy. Tamil programming featured former India players Murali Vijay and L Balaji, former Sri Lankan cricketer Russel Arnold and RJ Balaji. The feeds also offered market-specific shows, including Cricket with Chai and Orange O Rangu in Telugu, Kempu Sainya and Inside RCB in Kannada, and the “Ini Singapathai” match-day narrative in Tamil. JioStar’s Head of Sales – Sports, Anup Govindan, said the growth demonstrates how cricket audiences are increasingly choosing viewing experiences rooted in their own languages and cultural contexts. He added that this trend is creating opportunities for brands to connect with audiences by understanding the distinct characteristics of individual markets. Source: Economic Times

JioStar Sees Strong Growth in Regional-Language IPL Viewing as Fans Move Beyond Hindi and English Read More »

Arijit Singh Announces Nine-City India Tour to Mark 20 Years of Music

/ Media Entertainment & Art Community

Popular playback singer Arijit Singh has announced a nine-city India tour in 2027 to celebrate two decades of his musical journey. The stadium-scale tour will run from January to May and will mark his biggest India tour to date. The tour will begin in Ahmedabad on January 9, followed by Chandigarh on January 23 and Jaipur on February 7. Singh will then perform in Mumbai on February 20, Bengaluru on March 13, New Delhi on March 27, Pune on April 10, Indore on May 1 and Hyderabad on May 15. The singer said he was grateful to have spent 20 years making music and credited listeners for giving his songs a life of their own. He said he was looking forward to travelling across India and connecting with audiences through live performances. Produced and promoted by Team Innovation, with tickets available exclusively through thumpN, the tour will feature large-scale stadium productions. Organisers said the performances will include a custom multi-tiered stage with an extended runway, 360-degree spatial audio, panoramic screens, kinetic LED installations, laser arrays and stadium-scale pyrotechnics. Singh rose to prominence after appearing on the reality show Fame Gurukul in 2005 and went on to become one of the most prominent playback singers in Hindi cinema. His popular songs include Tum Hi Ho, Channa Mereya, Gerua, Kesariya, Apna Bana Le, Jhoome Jo Pathaan, Chaleya, Sajni and several others. The announcement comes after Singh revealed earlier this year that he was stepping away from playback singing to focus more on solo artistic pursuits. His recent work includes Jai Jai Ram from the Ranbir Kapoor-starrer Ramayana. Source: PTI  

Arijit Singh Announces Nine-City India Tour to Mark 20 Years of Music Read More »

Asian Games 2026: Indian Women’s Compound Archery Team Retains Gold, Equals World Record

/ Media Entertainment & Art Community

India’s women’s compound archery team successfully defended its Asian Games title on Wednesday, defeating China 238-234 in the final. Chikitha Taniparthi, Prithika Pradeep and Jyothi Surekha Vennam produced a composed performance to secure the gold medal and equal the world-record score. President Droupadi Murmu led the congratulations for the Indian trio, praising their precision, composure and teamwork. Several Union ministers, including Sports Minister Mansukh Mandaviya, Defence Minister Rajnath Singh and Parliamentary Affairs and Minority Affairs Minister Kiren Rijiju, also hailed the team’s performance. Mandaviya noted that the Indian archers matched the world-record score of 238 set by South Korea at the 2014 Asian Games in Incheon. The Indian team had earlier overcome South Korea in the semifinal before defeating China in the gold-medal contest. The victory marked India’s seventh gold medal at the ongoing Asian Games and took its overall medal tally to 54, comprising seven gold, 21 silver and 26 bronze medals. The latest triumph adds to India’s strong record in the women’s compound team event. The country had won silver in 2018 and bronze in 2014 before claiming gold at the previous edition and successfully retaining the title in 2026. The result also underlined the consistency of India’s compound archery contingent on the Asian Games stage, with the trio combining accuracy and composure to deliver another landmark performance. Source: IANS

Asian Games 2026: Indian Women’s Compound Archery Team Retains Gold, Equals World Record Read More »

Meta and YouTube Approve Ads for Alex Gibney’s ‘Musk’ Documentary After Initial Rejections

/ Media Entertainment & Art Community

Meta and YouTube have reversed earlier decisions and said they will allow paid advertising for director Alex Gibney’s upcoming documentary Musk, after reports that several major social media platforms had initially rejected promotional ads for the film’s trailer. The Hollywood Reporter had reported that TikTok, Meta, YouTube and X had declined to run advertisements promoting the documentary. The platforms reportedly cited restrictions surrounding political content. Meta later said the rejection was the result of an error. A company spokesperson told TechCrunch that “the ads are being restored,” although Meta has not provided further details about how the mistake occurred. YouTube also clarified its position, saying the Musk trailer has remained available on its platform. The company said the trailer’s advertising submission had been temporarily restricted by its automated systems but was subsequently reviewed and cleared to run. The initial decisions drew attention because the documentary focuses on Elon Musk, his technology career, political activities and relationship with US President Donald Trump. Platforms including TikTok maintain strict restrictions on political advertising, while Meta has also introduced additional limitations on political advertising in certain markets. X, which is owned by Musk, has not indicated any change to its reported rejection of the advertisement. Musk has previously made critical remarks about Gibney and the documentary. Directed by Gibney, known for documentaries including Going Clear and The Inventor, Musk explores the billionaire entrepreneur’s professional and personal life. The nearly four-hour film features interviews with people connected to Musk, including his former wife Justine Musk and former right-wing influencer Ashley St. Clair. The documentary premiered at the Venice International Film Festival earlier this month and has received strong early reviews from critics. It is scheduled for a US theatrical release on October 9. The film has also faced uncertainty surrounding its international distribution. Reports had suggested that Universal Pictures was reconsidering aspects of its international release plans, although the studio has subsequently confirmed that it intends to release the documentary in theatres. TikTok, X and the film’s US distributor Bleecker Street have been approached for comment on the advertising dispute. Source: Techcrunch

Meta and YouTube Approve Ads for Alex Gibney’s ‘Musk’ Documentary After Initial Rejections Read More »