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Saturday, August 8, 2026 1:22 AM

Bollywood

Ranveer Singh Faces Industry Heat After ‘Don 3’ Exit as FWICE Threatens Non-Cooperation

Actor Ranveer Singh may encounter fresh hurdles in signing or beginning new film projects after the Federation of Western India Cine Employees (FWICE) issued a “non-cooperation directive” against him over his abrupt departure from Don 3. The powerful film workers’ union, which represents more than four lakh technicians and workers across the Indian entertainment industry, has instructed its members not to collaborate on projects involving the actor until he attends a meeting with the organisation. FWICE president B N Tiwari stated that although Singh is currently not filming any project, the union would ensure its members do not participate in any future production featuring him. The controversy erupted after producers Farhan Akhtar and Ritesh Sidhwani reportedly approached the Indian Film & Television Directors’ Association (IFTDA) regarding Singh’s exit from the film. The matter was subsequently escalated to FWICE. The producers allegedly claimed that over ₹45 crore had already been invested during the film’s pre-production stage before the actor withdrew from the project. Legal experts, however, believe the union’s directive may face challenges if examined in court. According to lawyer Sonam Chandwani, such directives may carry operational influence within the industry but cannot automatically override an individual’s constitutional right to work. She noted that Indian courts have historically been cautious about blanket bans imposed by trade bodies without strong contractual or legal grounds. Chandwani explained that the key legal question would revolve around whether Singh violated any binding contractual commitments and whether the producers can prove financial losses resulting from his departure. If the exit was mutually negotiated or contractually permissible, punitive action from a workers’ union could struggle to stand legal scrutiny. Despite the legal ambiguity, the union’s stance could still create major production challenges. Large-scale film shoots rely heavily on technicians, set workers, camera crews, and other union-affiliated staff. Any refusal from these workers to cooperate could potentially delay schedules and inflate production costs for upcoming projects. FWICE cited a similar action taken earlier against Diljit Dosanjh after controversy surrounding his Punjabi film Sardaar Ji 3, which featured Pakistani actor Hania Aamir. The federation had also opposed his participation in Border 2 before eventually allowing the project to continue following appeals from members of the industry. Meanwhile, producer-distributor Girish Johar expressed hope that the issue would be resolved amicably, while actor Manoj Bajpayee said industry colleagues were hoping for an early settlement despite not being fully aware of the details behind the dispute. Source: PTI

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Box Office Revival Drives Indian Film Industry Back to Theatre-First Releases

India’s entertainment industry is witnessing a major shift as the strong comeback of cinema halls encourages filmmakers and studios to once again prioritise theatrical releases before digital premieres. After the pandemic pushed many movies directly to streaming platforms, rising box office collections are restoring confidence in the traditional release model. Industry experts say successful big-screen performances have proven that theatres remain a powerful revenue source, especially for large-scale commercial films. As a result, producers are increasingly choosing cinemas as the first destination for new releases, followed later by OTT platforms. At the same time, streaming services have become more cautious in acquiring film rights and are focusing on selective content investments. This has further strengthened the appeal of theatrical launches, where movies can generate immediate audience buzz and stronger earnings. The renewed theatre-first strategy is expected to benefit multiplex operators, distributors, and production houses, while OTT platforms may continue concentrating more on original web series and exclusive digital content. With audiences returning to cinemas for immersive movie experiences, the big screen is once again becoming the preferred launchpad for India’s film industry. Source: Economic Times  

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Jio Studios Crosses ₹1,000 Crore Box Office Milestone in FY25

Jio Studios, the content and media arm of Reliance Industries, achieved a major milestone in FY25 by surpassing the ₹1,000 crore mark in Net Box Office Collection (NBOC) across India, according to Reliance Industries’ latest annual report. This marks a sharp rise from the previous fiscal year, when Jio Studios’ film slate earned around ₹700 crore at the box office. Calling FY25 a “landmark year,” the studio cemented its leadership in Indian entertainment with a powerful line-up of over 40 films and web originals across multiple languages and digital platforms. Dominating the Hindi box office, three Jio Studios blockbusters — Stree 2, Singham Again, and Sky Force — ranked among the year’s top five hits and together contributed over 40% of the industry’s total domestic NBOC. Notably, Stree 2 emerged as the highest-grossing Hindi film of all time. Beyond theatres, Jio Studios also saw massive success on OTT platforms like Netflix, Amazon Prime Video, ZEE5, and JioHotstar. Laapataa Ladies featured among the top three most-watched Hindi films globally on Netflix, while Mrs set a new record on ZEE5 with more than 500 million viewing minutes in its first three weeks, also becoming Google’s most-searched film of the year. The Stree 2 soundtrack, led by the viral hit “Aaj Ki Raat,” crossed 2 billion streams and views on YouTube and Spotify, underscoring its pop culture dominance. In terms of critical acclaim, Jio Studios secured 65+ major awards, including 15 IIFA wins and recognition from the Dadasaheb Phalke Film Foundation. Four of its titles were also listed among IMDb’s Most Popular Indian Movies of 2024. Expanding its footprint in regional cinema, the studio has made notable inroads into Marathi films, with upcoming high-profile projects like Raja Shivaji and a biopic on Olympic wrestler Khashaba Jadhav. With an impressive track record and a strong pipeline ahead, Jio Studios continues to solidify its position as a trailblazer and global force in Indian entertainment. Source: PTI

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Festive Cheer Boosts Box Office: PVR INOX Records Over 50% Occupancy as Moviegoers Flock Back to Cinemas

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PVR INOX Ltd is celebrating a blockbuster Dussehra weekend, witnessing a remarkable surge in footfall as audiences return to theatres in large numbers. The multiplex giant reported over 50% occupancy across its cinemas, welcoming more than 8.5 lakh movie lovers during the extended Dussehra–Gandhi Jayanti weekend. “Our theatres are buzzing with festive energy as audiences across India return to enjoy the magic of cinema,” said Gautam Dutta, CEO (Revenue & Operations), PVR INOX Ltd. With the second quarter showing strong growth momentum, the company expressed optimism for the upcoming festive season, which promises a packed lineup of anticipated releases. Titles like Kantara: A Legend Chapter 1, Jolly LLB, and One Battle After Another headline the Bollywood and Hollywood slate, while regional films continue to impress audiences nationwide. Regional blockbusters such as Idli Kadai (Tamil/Telugu), Maria (Tamil), Vada Pav (Marathi), and Nikka Zaildar 4 (Punjabi) are driving impressive box-office numbers, reflecting the vibrant diversity of India’s cinematic landscape. Currently, PVR INOX operates 1,757 screens across 353 properties in 111 cities in India and Sri Lanka, reaffirming its position as the country’s leading multiplex chain. Source: PTI

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‘Homebound’ picked as India’s official Oscar entry for 2026

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Hindi film Homebound has been selected as India’s official submission for the 96th Academy Awards in the Best International Feature Film category. The announcement was made in Kolkata by filmmaker N. Chandra, chairperson of the 12-member selection committee, on Friday. Chandra revealed that 24 films across various Indian languages were in the race, calling the final choice “a very difficult decision.” He added, “We were not judges but mentors, looking for storytellers who have truly left an impact.” Directed by Neeraj Ghaywan and jointly produced by Karan Johar and Adar Poonawalla, Homebound features Ishaan Khatter, Vishal Jethwa, and Janhvi Kapoor in pivotal roles. The film follows the journey of two childhood friends from a modest village in northern India as they pursue a police job that offers them long-sought dignity and recognition. Source: PTI  

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71st National Film Awards 2025: Full Winners List and Highlights

The 71st National Film Awards, one of the most revered recognitions in Indian cinema, have been officially announced, honouring the best in filmmaking, performances, and technical brilliance from across the country. Known for their credibility and impartiality, the National Awards stand apart from other honours in the Indian film industry by prioritising artistic and cinematic excellence over commercial success. Administered by the Directorate of Film Festivals and presented by the President of India, these awards celebrate films certified by the Central Board of Film Certification (CBFC) during the previous calendar year (January 1 to December 31). A jury, consisting of noted film personalities, undertakes the task of screening entries and selecting winners across categories and languages. This year’s awards reflect a powerful blend of storytelling, technical achievement, and strong performances, cutting across regional and mainstream cinema. From high-profile Bollywood blockbusters to intimate regional dramas, the winners showcased the diversity and depth of Indian filmmaking. Major Acting Honours Best Actor was jointly awarded to Shah Rukh Khan for Jawan and Vikrant Massey for 12th Fail. This marked a significant milestone in Khan’s career as he bagged his first National Award for acting. Best Actress went to Rani Mukerji for her emotionally charged role in Mrs Chatterjee Vs Norway, which highlighted the struggles of a mother caught in an international legal battle. Supporting Performances Recognised Best Supporting Actor honours were shared between Vijayaraghavan (Pookkalam) and Muthupettai Somu Bhaskar (Parking). Best Supporting Actress was jointly awarded to Urvashi (Ullozhukku) and Janaki Bodiwala (Vash). Top Feature Films by Language Best Feature Film overall: 12th Fail Best Hindi Film: Kathal: A Jackfruit Mystery Best Telugu Film: Bhagavanth Kesari Best Tamil Film: Parking Best Malayalam Film: Ullozhukku Best Kannada Film: Kandeelu: The Ray of Hope Best Marathi Film: Shyamchi Aai Best Bengali Film: Deep Fridge Best Gujarati Film: Vash Best Punjabi Film: Godday Godday Chaa Best Odia Film: Pushkara Best Assamese Film: Rongatapu 1982 These selections showcase the cultural and linguistic diversity of Indian cinema, reaffirming the National Film Awards’ commitment to inclusivity. Technical Excellence and Direction Best Director: Sudipto Sen for The Kerala Story, praised for its bold narrative and technical finesse. Best Choreography: Vaibhavi Merchant for Rocky Aur Rani Kii Prem Kahaani Best Action Direction: Nandu and Prudhvi for Hanu-Man Best Lyrics: Kasarla Shyam for Balagam Best Music Direction: G.V. Prakash Kumar (Songs) for Vaathi Harshavardhan Rameshwar (Background Score) for Animal Performance in Music and Sound Best Male Playback Singer: P.V.N. S. Rohit for Baby Best Female Playback Singer: Shilpa Rao for Jawan Best Sound Design: Sachin Sudhakaran & Hariharan for Animal Other Key Technical Awards Best Cinematography: Prasanthanu Mohapatra for The Kerala Story Best Editing: Midhun Murali for Pookkaalam Best Production Design: Mohandas for 2018 – Everyone is a Hero Best Makeup: Shrikanth Desai for Sam Bahadur Best Costume Design: Sachin, Divya, Nidhhi for Sam Bahadur Special Mention: M.R. Radhakrishnan (Re-recording mixer) for Animal Final Thoughts The 71st National Film Awards not only celebrated artistic and cinematic triumphs but also reflected the evolving landscape of Indian cinema, where regional films continue to shine alongside mainstream blockbusters. The event acknowledged both legendary figures and fresh voices, reinforcing the relevance of storytelling that resonates across audiences and regions. Shah Rukh Khan’s long-awaited National Award win and the sweeping recognition for 12th Fail stood out as emotional and symbolic moments, while the inclusion of underrepresented languages and filmmakers demonstrated the Awards’ commitment to embracing India’s cinematic mosaic.

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Restored ‘Sholay’ with Original Ending Set for World Premiere in Italy to Mark 50th Anniversary

An uncut, newly restored version of the legendary Bollywood classic Sholay is set to make its global debut at the Il Cinema Ritrovato Festival in Bologna, Italy, on June 27. The film will be screened on the iconic open-air screen at Piazza Maggiore, celebrating 50 years since its original release in 1975. This special version includes never-before-seen footage and the original ending — where the iconic villain Gabbar Singh meets his end at the hands of Thakur, a sequence that was removed from the original theatrical cut following censorship by the Central Board of Film Certification (CBFC). The restoration is the result of a three-year collaboration between Film Heritage Foundation and Sippy Films Pvt. Ltd., aiming to bring director Ramesh Sippy’s full vision to global audiences for the first time. Widely considered one of the greatest films in Indian cinema history, Sholay starred an ensemble cast including Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Jaya Bachchan, and Hema Malini. Reflecting on the film, Amitabh Bachchan shared in a press note that working on Sholay was unforgettable and its unexpected rise from initial box office disappointment to record-breaking success was an emotional journey. “Even 50 years later, I hope it continues to captivate audiences across the globe,” he said. Dharmendra, who played the beloved Veeru, called Sholay the “eighth wonder of the world,” praising its iconic dialogues by Salim-Javed and Sippy’s direction. He fondly recalled unforgettable scenes, especially Jai’s tragic death, as some of Indian cinema’s most powerful moments. Producer Shehzad Sippy, representing the legacy of his grandfather G.P. Sippy, revealed that while the restoration process was long and challenging, the discovery of the original climax and deleted scenes made it all worthwhile. “This has been a labour of love. I’m excited for the film to start its new journey,” he said. Film Heritage Foundation’s Shivendra Singh Dungarpur also noted the restoration challenges, particularly the lack of an original 70mm print or camera negative. “Despite the hurdles, we have worked meticulously to do justice to this cinematic milestone,” he stated, looking forward to watching Sholay under the open sky in Bologna with thousands of international film lovers. The world premiere of Sholay in its restored form promises to reignite the magic of this timeless classic for a whole new generation of viewers. Source: Indian Express

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Warner Bros. Pictures, Bhanushali Studios, and JOAT Films Join Forces for Five-Film Collaboration to Adapt Hollywood Classics for India

In a landmark move for cross-cultural cinema, Warner Bros. Pictures has entered a strategic alliance with Bhanushali Studios Limited (BSL) and JOAT Films to produce five Indian adaptations of iconic Warner Bros. films. The collaboration aims to reinterpret celebrated Hollywood stories with a distinctly Indian flavor, weaving in the country’s cultural nuances while preserving the universal themes that made the originals global favorites. This initiative marks a significant step toward bringing international storytelling into the local cinematic mainstream, with Warner Bros. Pictures leading global distribution to ensure these new versions reach audiences far beyond Indian borders. Commenting on the partnership, Denzil Dias, Vice President and Managing Director of Warner Bros. Pictures India, emphasized the potential of the Indian market: “India is home to one of the most dynamic and mature film industries in the world. Our collaboration is about merging Warner Bros.’ rich legacy with local storytelling expertise to craft narratives that deeply connect with Indian viewers while still retaining global appeal.” Vinod Bhanushali, Founder and Chairman of Bhanushali Studios, expressed enthusiasm about the creative potential of the venture: “This partnership offers an incredible platform to reimagine Warner Bros.’ classics through an Indian lens—amplifying emotion, scale, and cultural essence for both domestic and international audiences.” Jack Nguyen of JOAT Films also shared his excitement, stating, “We’re thrilled to collaborate with BSL in adapting select titles from Warner Bros.’ extraordinary catalogue for the Indian audience. These films will be carefully chosen to align with local tastes while maintaining the integrity of the original stories.” This collaboration marks a new chapter in Indo-Hollywood synergy, promising a blend of global storytelling and local sensibilities. Source: PTI  

Warner Bros. Pictures, Bhanushali Studios, and JOAT Films Join Forces for Five-Film Collaboration to Adapt Hollywood Classics for India Read More »

Allu Arjun’s Old Comment on Hrithik Roshan and Prabhas Resurfaces Amid Arshad Warsi’s Remarks

A throwback video of Allu Arjun comparing Prabhas with Hrithik Roshan has gone viral, rekindling discussions on social media. In the clip, Allu Arjun, quoting SS Rajamouli, humorously mentions that “Hrithik Roshan is nothing in front of Prabhas,” while praising Prabhas as “number one.” This resurfaced video has sparked chatter online, especially in the context of recent comments made by Arshad Warsi about Prabhas in Kalki 2898 AD. In the viral clip, Allu Arjun lauds Prabhas for his impressive action sequences, echoing Rajamouli’s statement. The video shows Prabhas smiling at the remark, while Hrithik Roshan’s fans took the comment as a lighthearted compliment, acknowledging Hrithik as a “benchmark to beat.” Redditors were quick to react, with many noting that the remark was likely made in a playful manner to hype Prabhas. One user commented, “They are using Hrithik as a bar, which is actually a huge compliment.” Others noted that such comparisons are common in India as a way to elevate someone’s stature. Another comment read, “Hrithik remains a standard across the industry from North to South.” This renewed discussion comes after Arshad Warsi recently made headlines by calling Prabhas’ appearance in Kalki 2898 AD reminiscent of a “joker.” Warsi was sharing his thoughts on recent films, expressing that while he admired Amitabh Bachchan’s performance in the movie, he wasn’t impressed with Prabhas’ look, suggesting it could have been more impactful. This ongoing debate highlights how Hrithik Roshan continues to be regarded as a yardstick for comparisons in Indian cinema, while stars like Prabhas carve their own path with the support of fans and industry insiders alike. Source: News 18

Allu Arjun’s Old Comment on Hrithik Roshan and Prabhas Resurfaces Amid Arshad Warsi’s Remarks Read More »

CBFC Approves Ajay Devgn’s “Maidaan” Unedited, Requests Additions

The Central Board of Film Certification (CBFC) has granted clearance to Ajay Devgn’s upcoming movie “Maidaan” without any cuts. Based on a real-life incident and featuring Devgn as a football coach, the film spans over three hours in duration. No edits were requested by the CBFC for the film directed by Amit Ravindernath Sharma. However, the board has mandated a few additions to the movie. Among these additions is a disclaimer stipulating that “Maidaan” is a fictionalized account inspired by true events from the public domain, legendary football players’ perspectives, and writers’ research, with elements of fiction added for dramatic effect. The disclaimer also clarifies that certain dialogues are for dramatic purposes only and not intended to incite lawlessness. Additionally, the film must include anti-smoking messages during scenes depicting characters smoking, as per CBFC guidelines. Furthermore, the end credits are required to be presented in both Hindi and English. According to reports, the film’s runtime is 3 hours, 1 minute, and 30 seconds (181.30 minutes). “Maidaan” narrates the story of Syed Abdul Rahim, portrayed by Devgn, who served as a prominent football coach and manager of the Indian football team, contributing significantly to the advancement of Indian football. The movie also stars Priyamani, Gajraj Rao, and Rudranil Ghosh in pivotal roles. Despite facing numerous delays since its inception, including disruptions caused by the COVID-19 lockdown and cyclones, “Maidaan” is set to hit theaters on April 10, coinciding with the release of “Bade Miyaan Chhote Miyan.”  

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