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Tuesday, November 10, 2026 1:30 AM

Media Industry

JioStar Intensifies Anti-Piracy Action in Odisha, FIRs Filed Against Cable Operators

JioStar has stepped up its efforts to curb unauthorised distribution of its television channels in Odisha, with multiple First Information Reports (FIRs) registered against local cable operators for allegedly retransmitting its content without permission. Recent cases have been registered in Bhadrak and Kandhamal districts, following earlier enforcement action in Ganjam, Puri, Jajpur and Keonjhar. In Bhadrak, Bonth Police Station registered an FIR on September 2 against a cable operator in Tillo village under Section 303(2) of the Bharatiya Nyaya Sanhita and Section 63 of the Copyright Act. The complaint alleges that JioStar channels were received and retransmitted through a cable network serving Tillo, Jirina and nearby areas without the company’s authorisation. A separate FIR was registered by Daringbadi Police Station in Kandhamal on September 10 against Star Cable Network. According to the complaint, the operator allegedly retransmitted JioStar channels without authorisation and used consumer DTH set-top boxes to receive and redistribute the channels through its network. The latest cases form part of JioStar’s wider enforcement campaign to identify and take action against unauthorised cable networks across Odisha. The company’s AntiPiracy Legal and Enforcement Team has submitted electronic and video evidence in connection with the investigations. The enforcement drive has also brought attention to the continued presence of alleged unauthorised analogue transmissions despite the implementation of the Digital Addressable System (DAS) in the broadcasting sector. JioStar’s action underscores the ongoing challenges faced by broadcasters in protecting licensed content and preventing unauthorised retransmission through local distribution networks. Source: Economic Times

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DTH Operators Provision Over Rs 11,000 Crore Against Disputed Licence Fees

India’s major direct-to-home (DTH) operators have collectively made provisions of more than Rs 11,000 crore against disputed licence-fee liabilities raised by the Ministry of Information and Broadcasting (MIB), highlighting the growing financial pressure on the sector. According to regulatory filings for the financial year ended March 31, 2026, the operators are also awaiting clarity from the government on a possible reduction in the existing 8% licence fee levied on adjusted gross revenue (AGR). The disputed dues are currently subject to legal proceedings.  Tata Play has provided Rs 2,331 crore against an MIB demand of Rs 4,548 crore and has recognised another Rs 3,232 crore as a contingent liability. Bharti Telemedia, which operates Airtel Digital TV, has made provisions of around Rs 4,487 crore. Dish TV has provided approximately Rs 4,866 crore against a demand of Rs 7,203 crore up to FY25. Sun Direct has also faced an additional licence-fee demand of Rs 2,107 crore covering the period from FY2007-08 to FY2023-24.  The licence-fee issue has been a long-running point of contention between the government and DTH companies. In May 2025, the MIB had issued demand notices totalling around Rs 16,000 crore to four private DTH operators over outstanding licence fees.  The dispute comes at a challenging time for the DTH industry, which is dealing with subscriber losses and increasing competition from OTT platforms and DD Free Dish. The sector has consequently been looking beyond traditional satellite television, with operators expanding into areas such as IPTV, broadband and OTT aggregation. The government’s decision on the future structure of the DTH licence fee could therefore have a significant bearing on the financial sustainability and transformation strategy of India’s private DTH industry. Source: Economic Times

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Zee Entertainment Appoints Ashish Mishra as Chief Marketing Officer

Zee Entertainment Enterprises has appointed Ashish Mishra as its new Chief Marketing Officer as the company seeks to strengthen its marketing strategy and enhance consumer engagement across its businesses. Based at Zee’s Mumbai headquarters, Mishra will report directly to CEO Punit Goenka and oversee the company’s network-wide marketing and brand initiatives. His responsibilities will include developing stronger consumer propositions, leading marketing campaigns across businesses and undertaking strategic and special projects aimed at supporting Zee’s long-term growth. As part of the organisational changes, Kartik Mahadev, who has been associated with Zee’s marketing operations, will transition to a new role within the company. Further details about his new position are expected to be announced soon. Welcoming the appointment, Goenka said marketing remains central to strengthening Zee’s relationship with consumers and creating long-term business value. He highlighted Mishra’s experience in building consumer-focused brands and his strategic and creative approach. Mishra said he would build on Zee’s understanding of Indian consumers while focusing on strengthening the company’s brand and content strategy, increasing consumer engagement and creating greater value for the business. Source: Economic Times

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Netflix marks 10 years in India; CEO Ted Sarandos meets PM Modi, launches storytelling initiative

Netflix Co-CEO Ted Sarandos met Prime Minister Narendra Modi in New Delhi on Wednesday as the streaming giant celebrated a decade of operations in India and announced the Netflix India Storytelling Initiative, a long-term investment aimed at developing the country’s creative talent ecosystem. The multi-phase initiative seeks to strengthen India’s pipeline of creators in animation, visual effects (VFX), gaming and comics, building on Netflix’s collaboration with the Indian creative industry over the past 10 years. During this period, the platform has produced more than 200 original titles and filmed across 100+ locations in the country. According to Netflix, the initiative aligns with the government’s Viksit Bharat @ 2047 vision by enhancing skill development, industry partnerships and creator training to position India as a global storytelling hub. As part of the first phase, Netflix will collaborate with the Indian Institute of Creative Technologies (IICT) to jointly develop specialised courses in Visual Effects Mastery and Media Technology Workflows. The company will also sponsor 100 scholarships for Indian students enrolled in IICT’s in-person programmes, covering areas such as interactive comics, sequential art, virtual production, character animation, and e-sports and gaming management. In another key partnership, Netflix has joined hands with the National Film Development Corporation (NFDC) to train audio description writers and voice artists, making films and series more accessible to audiences with visual and hearing impairments while adhering to international accessibility standards. Sarandos said India has long been one of the world’s richest storytelling nations and reaffirmed Netflix’s commitment to investing in the next generation of Indian creators. He added that strengthening the country’s creative ecosystem would create more opportunities for emerging talent while taking Indian stories to global audiences. The visit also commemorated Netflix’s 10-year journey in India through an event organised in collaboration with the Ministry of Culture and the Ministry of Tourism. During the event, the Ministry of Tourism and Netflix India launched “As Seen on Netflix,” a dedicated section on the Incredible India website that allows viewers to explore real-life locations, cultural traditions and experiences featured in Netflix productions. Sarandos also participated in a fireside discussion with Union Minister for Culture and Tourism Gajendra Singh Shekhawat at the National Gallery of Modern Art, where they highlighted the role of authentic storytelling in promoting tourism, preserving cultural heritage and supporting India’s creative economy. The event also showcased two new promotional films celebrating India’s wildlife and cultural heritage. The collaboration builds upon a memorandum of understanding signed between the Ministry of Tourism and Netflix India last year to promote India’s tourism and cultural diplomacy through storytelling. Highlighting its decade-long journey in India, Netflix cited acclaimed productions such as The Elephant Whisperers, Amar Singh Chamkila, Heeramandi: The Diamond Bazaar, Musafir Café, Made in Korea and the upcoming patriotic series Operation Safed Sagar as examples of Indian stories resonating with audiences worldwide. As Netflix enters its second decade in India, the company said it will continue investing in India’s creative workforce while helping more local stories reach international audiences. Source: Variety

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No TV Ratings Agency Registered Under New Policy, MIB Informs Parliament

Television audience ratings in India will remain suspended for the time being, as the Ministry of Information and Broadcasting (MIB) has informed Parliament that no audience measurement agency has been registered under the Television Ratings Policy, 2026. Responding to an unstarred question in the Rajya Sabha, Minister of State for Information and Broadcasting L. Murugan stated that the new policy requires all television audience measurement agencies to obtain registration before they can operate. He confirmed that no organisation has been registered under the new framework so far. The development means broadcasters, advertisers and media agencies continue to operate without official television audience ratings, as the industry has not yet transitioned to the new regulatory system. Although the ministry has been working with the Broadcast Audience Research Council (BARC) to implement the revised framework, it has not provided a timeline for the resumption of TV ratings. According to the government, the Television Ratings Policy, 2026 replaces the 2014 Guidelines for Television Rating Agencies and introduces updated rules governing the registration, operations, auditing and oversight of audience measurement agencies. The policy aims to improve transparency, accountability and independence in television audience measurement while encouraging greater competition in the sector. As part of these reforms, the minimum net worth requirement for television ratings agencies has been reduced from Rs 20 crore to Rs 5 crore, making it easier for new entrants to participate. The new framework also adopts a technology-neutral approach, allowing audience measurement across traditional linear television, Connected TVs (CTV) and television channels available through OTT platforms. Source: Economic Times  

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Zee Entertainment Bags Exclusive Bundesliga Media Rights in India for Five Years

Zee Entertainment Enterprises Limited has significantly expanded its sports broadcasting portfolio by securing the exclusive television and digital media rights for Germany’s premier football competition, the Bundesliga, in India for the next five years. Starting from the 2026–27 season, Indian football fans will be able to watch Bundesliga matches exclusively on ZEE5 along with the company’s sports television network, Unite8 Sports channels. The agreement will provide viewers with comprehensive access to live matches, highlights, and additional football-focused programming throughout the season. The acquisition marks another major step in Zee’s growing investment in international sports broadcasting, coming shortly after its strategic partnership with FIFA. With this move, the company is aiming to strengthen its position in India’s competitive sports entertainment market while enhancing premium sports offerings for ZEE5 subscribers. Bavesh Janavlekar, Chief Business Officer of Unite8 Sports at Zee Entertainment, stated that Bundesliga remains one of the world’s most exciting football leagues, known for its passionate fan base, elite clubs, and strong focus on nurturing young talent. As part of the collaboration, Zee and Bundesliga are also expected to introduce football development initiatives in India, including grassroots programs, coaching clinics, and youth engagement activities designed to support the growth of football talent in the country. The partnership further reinforces Zee’s long-term strategy of building a stronger football ecosystem in India by bringing one of Europe’s biggest and most competitive football leagues closer to millions of Indian sports fans. Source: Economic Times

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FIFA World Cup 2026 Opening Weekend Crosses 100 Million Viewers Across Zee Platforms

The opening weekend of the FIFA World Cup 2026 delivered a strong start for Zee Entertainment Enterprises, drawing more than 100 million viewers across its television, digital, and social media platforms, according to company figures. Streaming platform ZEE5 recorded nearly six million viewers between June 11 and June 14, excluding engagement from the Germany versus Curaçao fixture that aired post-midnight. The company revealed that average watch time per viewer, including the tournament’s opening ceremony and live matches, exceeded 190 minutes during the period. Beyond streaming and television, the tournament also generated significant traction on social media, registering over 360 million views across platforms. Zee’s promotional campaign, #Watchega, further amplified audience engagement, reaching more than 330 million users online. On the broadcast side, Zee stated that its sports network, Unite8 Sports, reached an estimated 25 million households during the tournament’s opening weekend, adding substantially to the overall audience numbers. A company spokesperson said the response highlights the rising popularity of football content among Indian audiences, adding that viewership is likely to grow further as the tournament advances. To strengthen fan engagement, the company has also partnered with public viewing operators and introduced interactive fan initiatives across multiple cities throughout the tournament. Source: Economic Times  

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ZEEL Strengthens Zee5 Infrastructure and Anti-Piracy Measures Ahead of FIFA World Cup 2026

Ahead of the FIFA World Cup 2026, Zee Entertainment Enterprises Ltd. (ZEEL) has significantly enhanced the technology capabilities of its OTT platform Zee5 while stepping up anti-piracy measures to ensure a smooth and secure viewing experience for football fans across India. As the official broadcaster and digital streaming partner for the tournament in India, ZEEL has upgraded Zee5’s streaming infrastructure to efficiently handle a surge in viewership and support millions of concurrent users during live matches. The company has implemented advanced monitoring systems, backup mechanisms, and platform resilience measures to maintain uninterrupted service throughout the tournament. To combat illegal streaming and content theft, ZEEL has also secured a dynamic injunction from the Delhi High Court. The legal order enables swift action against unauthorized streaming platforms by allowing the real-time blocking of mirror and proxy websites, helping protect the value of its broadcast rights. The company said these technological and legal initiatives are designed to deliver a seamless viewing experience while safeguarding premium sports content. The FIFA World Cup 2026, scheduled to be held across the United States, Canada, and Mexico, is expected to attract record-breaking digital audiences, making platform reliability and content security critical priorities for broadcasters. Source: Economic Times

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India’s Television Industry Under Mounting Pressure as Audiences and Advertisers Shift Online

India’s television broadcasting sector is facing increasing challenges as more viewers and advertisers migrate toward digital and streaming platforms, intensifying pressure on traditional TV networks. According to industry reports, the decline in linear television viewership continued through FY26, with even major sporting events failing to significantly revive subscriber numbers. Data from the Broadcast Audience Research Council (BARC) showed that weekly TV reach dropped to 741 million in FY26, compared to 750 million in FY25 and 757 million in FY24.  Broadcasters such as Zee Entertainment Enterprises and Sun TV Network witnessed weaker advertising revenues as companies, especially from the FMCG sector, reduced spending on traditional television and redirected budgets toward digital platforms offering better audience targeting and measurable returns. Reliance Industries-backed JioStar also acknowledged softness in television advertising demand. However, the company remained profitable during FY26, supported by its combined presence in television broadcasting and streaming through JioHotstar.  Industry experts believe the rapid adoption of OTT platforms, connected TVs, and AI-driven digital advertising is reshaping India’s media landscape. Advertisers are increasingly favouring programmatic and performance-based advertising models over traditional TV campaigns.  The pay-TV sector is also witnessing a gradual decline in subscribers. According to the Telecom Regulatory Authority of India (TRAI), active DTH subscribers fell from 52.8 million in September 2025 to 51 million by December 2025, reflecting the continued consumer shift toward online streaming services.  Despite the slowdown, sports broadcasting remains relatively resilient, with broadcasters continuing to attract audiences during major cricket tournaments and premium live events.  Source: Economic Times

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Zee Entertainment Reports ₹104 Crore Loss in Q4, Misses FY26 Margin Target

Zee Entertainment Enterprises reported a consolidated net loss of ₹104 crore in the quarter ended March 31, reversing from a profit of ₹188 crore recorded in the same period last year. The decline was mainly attributed to revised estimates for movie rights inventory amortisation and additional impairment charges booked during the quarter. The media company also missed its FY26 profitability guidance, posting an adjusted EBITDA margin of 9.3%, significantly lower than its projected 18-20% range. Weak advertising demand, increased spending on growth-focused businesses and one-time accounting adjustments impacted overall performance. For the March quarter, adjusted EBITDA dropped 51% year-on-year to ₹140 crore, while margins narrowed to 6.9%, highlighting continued pressure on the broadcaster’s earnings. Source: Economic Times

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